Karlu Karlu: photographing landscapes

On the return trip  once  we had linked up to the Stuart Highway via  the Buntine and Buchanan Highways we moved quickly south trying to make up for extra  time in taking the northern route  from Lajamanu. Our aim was get beyond Tennant Creek  so that we could camp overnight in our swags  at  Karlu Karlu,   a series of round boulders, which have formed from an enormous chunk of granite, and which are  strewn across a large area of a wide, shallow valley.

We wanted  to photograph the  impressive rock formations  of huge, red, rounded granite boulders in the early morning light because daylight drains all the colour out of rocks, and flattens the shapes. The next morning, whilst   I was photographing the rocks I realised  how much my approach to photographing the landscape worked within the common conception of the landscape tradition in which the ‘landscape’ is a pictorial way of representing,  and in doing so it is transformed into something   useful for human beings.

rock+tree, Karlu Karlu

Thus the  colonial photographers on the various expeditions  to Alice Springs and beyond were interested in how the land could be useful for  development–ie., for the pastoral industry or  for agriculture. Karlu Karlu in contemporary postcolonial Australia  is an iconic  site for the tourism industry,  which frames the landscape as something to be viewed and appreciated. Karlu Karlu  is  right up with  Uluru and the Olgas as iconic  tourist sites.

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historical silences

A couple of days after  the Milpirri Festival  had finished we drove  north out of Lajamanu  to Top Springs via the Buntine Highway  The Landrover Discovery was damaged,  so we did  not make a detour to  go to Kalkarindji (formerly Wave Hill) or to  take a look at the Victoria River. This  region is the traditional land of  the Gurindji peoples and I kept on thinking of the myths of colonial history of this region. These myths have shaped how Australian’s have traditionally viewed the country and its indigenous people.

The myth about Aboriginal people is  that before European invasion, Aboriginal people were simply living off the land, with no civilization and a culture that didn’t make it out of the ‘stone age’ despite tens of thousands of years of human habitation. European colonists myth  painted blackfellas as primitive and that the land was an untamed wilderness. European settlement could occur because  the land was seen as desert and uncultivated and inhabited by a  backward people. The myth is part of the  core  narrative of colonial history  about the  establishment of the pastoral industry, which  celebrate European exploration, pioneering, colonisation and conquest. In this narrative  Aboriginal people were part and parcel of the environment: an element to be overcome by force if necessary, along with drought, wild animals, hunger and thirst.

creeper and tin

creeper and tin

This  is a myth and narrative is notable for how it covers over some marked  historical silences. Continue reading